For a long time now, the Ampeg brand has been known to deliver the best in bass amplification and the same is true in this Ampeg Micro-CL bass amp stack review. Most of the good bass players in the history of music have used Ampeg equipment, just like the basis for The Rolling Stones. The Micro-CL is a seriously cool-looking rig, especially to those who stand in awe of its behemoth cousin, the Ampeg SVT-CL and matching 8×10 cabinet. Yet apart from the distinctive black vinyl covering, metal corners, and white piping, the Micro-CL head and 2×10 cabinet are unique little beasts.
The same excellence still prevails in the products of Ampeg today. Artists such as Tony Levin from King Crimson and Michael Anthony from Van Halen look to Ampeg for their sound needs whether it be in the studio or while on the road. One of the newest offerings from Ampeg that most musicians rave about is the Ampeg MICRO-CL.
The Ampeg MICRO-CL comes with some really good specifications. It provides you with as much power as you need from a bass head. It has 1,200 watts for both the combined tube and the solid state wallop. All these in three rack spaces.
The quality of the structure is also really excellent. There is solid construction which is not what you would expect from some other heads. You get a good and firm grip with the knobs which really start things off well. The visual characteristics of the Ampeg MICRO-CL really make a good first impression. It comes with a sculpted black front that looks sophisticated. It also has a smart design that makes it very easy to use. The grips are sturdy enough to prevent any accidental damage and it allows the user to bring the 42-pounder around.
Inside the Ampeg MICRO-CL you will find hybrid technology that provides you with the best performance. It has a tube preamp state that gives a smooth tone that everybody looks for in this equipment. It has a MOSFET-based power section that gives out a solid amplification without having to worry about delays and maintenance problems.
The front panel of the Ampeg MICRO-CL has an input and a tuner output too. Beside this you will find a mute switch so you can drown out all sounds but that of the tuner. There is a 15dB pad that can help you with active pickups. The Compressor allows the user to make a smoother and more sustained sound.
The Ampeg MICRO-CL has two switches – the ultra high and the ultra low. There are controls for the sweepable midrange, treble, and bass. You can activate the nine-band equalizer with the Graphic EQ switch that can also be turned on via the footswitch.
The Line Out level helps a lot when you are doing direct recording. The balance controls and crossover frequency are handing when the Ampeg MICRO-CL is played in biamp mode.
The back panel of the Ampeg MICRO-CL has the usual mix of output jacks. It also has Neutrik Speakon connectors and other nice-to-haves such as stereo effects, line outputs, bi-amp outputs, and pre-amp output. This makes the Ampeg MICRO-CL usable for other amps.
The first thing that you need to do before using the amp is to secure the connection to the cab. The great feature of this is its thick and punch sound. It is just the right tone that makes it clear and smooth at the same time.
After reading this Ampeg Micro-CL Bass Amp Stack Review I hope you know if this is the best bass amp for you. I would recommend that you go for the Ampeg MICRO-CL if you are looking for an overall excellent amp that provides you with almost an infinite tonal flexibility.